Broadcast-quality multi-camera setups with live switching, replay, and graphics overlay.
Programmes here often run in temporary structures and active project environments. Power, connectivity, climate control and access are engineered per event — the production arrives self-sufficient and verifies everything on site.
Briefings, town halls and leadership sessions in NEOM's operational facilities take compact broadcast setups: clean audio, presentation feeds, and webcast layers connecting the site with offices elsewhere.
Outdoor formats on the coast trade infrastructure for setting. We scout in person, plan power and connectivity as cargo, and design for wind, dust and heat as facts rather than risks.
Frontier locations reward teams that bring everything and assume nothing: redundant power, redundant connectivity, spares, and schedules with real margins. That is how we plan NEOM work from day one.
A livestream, a master recording, venue screens and social clips each pull the plan differently. We fix the output list first, then the cameras — so every consumer of the pictures gets what it needs without show-day improvisation.
Isolated recordings of each camera cost little during the show and rescue the edit afterwards — recuts, highlights and sponsor deliverables all come from them. We switch them off only when a client explicitly has no post-event needs.
Mobilization to NEOM involves long distances, site access procedures and logistics that punish optimism. We plan transport, accommodation and technical contingencies early, and verify site conditions in person before the design is final.
Cable routes, platform positions, power and sight lines differ sharply between halls, ballrooms and outdoor sites. A site visit before the technical proposal is cheaper than a redesign during load-in.
A multi-camera show is a disciplined conversation between director, cameras, audio and graphics on one loop. The first full run-through exists mainly to rehearse that conversation.