Large-format LED walls, projection mapping, sound systems, and full technical support.
Exhibition stands and conference stages at DECC need LED sized to hall sight lines, speech-first audio tuned against show-floor noise, and installation aligned with the venue's load-in windows.
Congress setups at QNCC combine main-stage LED, conference audio and lighting specified for both the room and the cameras — most programmes here are streamed or recorded, and the AV design should assume it.
Cultural and outdoor formats at Katara add weather, brightness and architectural sensitivity: higher-brightness LED for open air, audio designed for the amphitheatre, and setups that respect the venue's character.
The weekly corporate calendar runs on compact, well-specified packages — LED or projection, clean conference audio, stage lighting, an operator — sized to the actual room and content.
We start from the furthest viewer, the content and the venue's constraints, then specify size, pitch and coverage. The result is the right system, not the largest one that fit the budget.
Systems come with the technicians who set up, operate and strike them — one team, one responsible party, no gap between delivery and a working show.
Doha events frequently pair room screens with a stream or recording. Designing both together keeps resolutions, aspect ratios and switching coherent — and removes the two-vendor seam where shows tear.
Rigging points, power capacity and load-in routes constrain the design more than budget does, and they differ across halls, ballrooms and outdoor sites. We confirm them before promising a look.
Heat, humidity and evening wind are real factors for outdoor AV in Doha. Brightness for open air, protected power, realistic crew windows and an indoor fallback belong in any honest outdoor proposal.
Exact pixel maps and formats issued early, with a content deadline and a technical check, prevent the classic failure — the opening keynote as the first test of someone's export settings.